top of page


three vignettes.jpg

performed at Jack Straw on October 23rd, 2022 - as a part of the Jack Straw Artist Showcase, 60 Year anniversary. Live improvisation in front of a live audience.

Released 2023

Tarot Album.png

Composed, performed, recorded, mixed by Leanna Keith

in a closet, after a surgery, during a pandemic

Released 2021

Screen Shot 2020-12-31 at 5.29.12 PM.png

Strings: Katelyn Kukoly, Sam Perkins, Lydia La Fratta, Cecilia Jensen, Audrey Herren, Ilya Poluektov
Brass: Andrew Beckstrom, Rudy Semar, Nate Coleman, Phill Smith
Woodwinds: Krystle Jones, Tyler Goodlock, Leanna Kieth
Drums: Jeff Kolega
Piano: Kali Matz, Sara Thomsen, Danny Sabra
Accordion: Danny Sabra (instrument generously provided by Conner Giles)
Background Vocals: Cecilia Jensen
Acoustic and Electric Guitars: Danny Sabra

All lyrics, music, arrangement and composition done by Danny Sabra

Released 2020 - recorded in 2010

Screen Shot 2020-12-31 at 5.21.30 PM.png

手風琴: 侯守仁
小號: 梁瑞璊
低音提琴: Kelsey Mines
鼓: Tai Taitano
中胡: 朱芸編
古箏: 王惜盈
笛子: 李妍娜

accordion: Josh Hou
trumpet: Raymond Larsen
bass: Kelsey Mines
drums: Tai Taitano
zhonghu: Wan Pin Chu
guzheng: Sara Heng
dizi: Leanna Keith

Released 2020

Screen Shot 2020-04-09 at 11.41.36

Ray Larsen -- voice, trumpet, flugelhorn, pianos, synths, percussion
Leanna Keith -- flute, bass flute
Ivan Arteaga -- clarinet, alto saxophone
Greg Sinibaldi -- electronic wind instrument (EWI), tenor saxophone
Colin Pulkrabek -- trombone
Alina To -- violin
David Balatero -- cello
Kelsey Mines -- double bass
Luke Bergman -- guitars, electric bass
Chris Icasiano -- drums
Sophie Baird-Daniel -- harp
Nina Tan -- voice

Recorded by Luke Bergman, with additional recording by Ray Larsen
Mixed by Ray Larsen
Mastered by Ed Brooks
Art by Ray Larsen

Released 2020

Screen Shot 2019-11-18 at 12.25.47

Released 2019

Composition by Kaley Lane Eaton

"FUNERAL SENTENCES FOR DAMAGED CELLS traces one journey of trauma as it travels through generations of my American family. As it mirrors the Anglican funeral sentences, it becomes an elegy for the dead. In the United States, a country besieged by inherited trauma, our family stories are so often relegated to the dark places in our hearts, where they root and damage; or perhaps they fall out of photo albums, leaflets of pain, impressions of grief. But the expression of these stories can liberate us from their dark forces, breaking the cycle. I thank my mother, my grandmother, and my grandfather for their words, their wisdom, and the inspiration gifted to me for this piece: may you hear this from the cosmos, journeying in power from the beyond." - Kaley Lane Eaton

Screen Shot 2019-12-03 at 1.36.41 PM.png

benjamin marx - piano, synth, bass, percussion
storm benjamin - vibraphone, glockenspiel
bret gardín - synth
leanna keith - flute, piccolo
eric padget - french horn, cornet
dexter stevens - bass clarinet, clarinet
yzech tahar - drums, percussion

all songs composed by benjamin marx
except ‘nels hymn’ composed by benjamin marx and bret gardín

Released 2019

Screen Shot 2019-12-03 at 1.44.26 PM.png

Released 2015

The Keith/Larson Duo's first EP, Dawn Till Dusk, is a recording project that took place in July 2015. While providing only a glimpse in to the flute and guitar repertoire, Dawn Till Dusk encompasses a vast array of musical textures, styles, and emotions. 

Joaquín Rodrigo (1901-1999)

Serenata al alba del día

     I. Andante Moderato

     II. Allegro Ritmico

Christopher Caliendo (1959)



Toru Takemitsu (1930-1996)

Toward the Sea, for alto flute and guitar

     I. The Night

     II. Moby Dick

     III. Cape Cod

bottom of page