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Composition by Kaley Lane Eaton

"FUNERAL SENTENCES FOR DAMAGED CELLS traces one journey of trauma as it travels through generations of my American family. As it mirrors the Anglican funeral sentences, it becomes an elegy for the dead. In the United States, a country besieged by inherited trauma, our family stories are so often relegated to the dark places in our hearts, where they root and damage; or perhaps they fall out of photo albums, leaflets of pain, impressions of grief. But the expression of these stories can liberate us from their dark forces, breaking the cycle. I thank my mother, my grandmother, and my grandfather for their words, their wisdom, and the inspiration gifted to me for this piece: may you hear this from the cosmos, journeying in power from the beyond." - Kaley Lane Eaton

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benjamin marx - piano, synth, bass, percussion
storm benjamin - vibraphone, glockenspiel
bret gardín - synth
leanna keith - flute, piccolo
eric padget - french horn, cornet
dexter stevens - bass clarinet, clarinet
yzech tahar - drums, percussion

all songs composed by benjamin marx
except ‘nels hymn’ composed by benjamin marx and bret gardín

Released 2019

Released 2019

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The Keith/Larson Duo's first EP, Dawn Till Dusk, is a recording project that took place in July 2015. While providing only a glimpse in to the flute and guitar repertoire, Dawn Till Dusk encompasses a vast array of musical textures, styles, and emotions. 

Joaquín Rodrigo (1901-1999)

Serenata al alba del día

     I. Andante Moderato

     II. Allegro Ritmico

Christopher Caliendo (1959)



Toru Takemitsu (1930-1996)

Toward the Sea, for alto flute and guitar

     I. The Night

     II. Moby Dick

     III. Cape Cod

Released 2015

© 2019 by Leanna Keith. 

Seattle, Washington